- 212
Vittore Crivelli
Estimate
8,000 - 12,000 USD
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Description
- Vittore Crivelli
- San Bernardino; A Franciscan Monk
- a pair, framed together, gilt and tempera on panel, arched top
Condition
The surface of the works are in overall good condition. There are some minute scrapes in the gold ground. Under UV; no apparent inpainting.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
These small panels are identical in style, dimension, and subject matter to two other depictions of Franciscan monks, Franciscan Monk Reading1 and Franciscan Monk at Prayer 2, published in 1997 in the Vittore Crivelli monograph as by Crivelli (see, S. Papetti, et. al., Vittore Crivelli, e la Pittura del suo Tempo nel Fermano, Milan 1997, p. 221, cat. nos. 29 and 30). All four panels - the present pair and the aforementioned published pair - were all clearly originally part of the same altarpiece.
1 Formerly in the collection of the Metropolitan Museum of Art, deaccessioned by them and sold, New York, Sotheby's March 15, 1974, lot 76, as attributed to Crivelli.
2 Now in the Palazzo Comunale, Sant'Elpidio a Mare.