- 4
Winifred Nicholson
Description
- Winifred Nicholson
- Ragged Robin
- signed and inscribed with the artist's address on the stretcher
- oil on canvas
- 61 by 61cm.; 24 by 24in.
- Executed circa 1930.
Provenance
Exhibited
London, Leicester Galleries, 10th Exhibition The Seven & Five Society, January 1931, cat. no.43;
Dartington Hall, High Cross House, 2001 - 2010.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
'I like painting flowers - I have tried to paint many things in many different ways, but my paintbrush always gives a tremor of pleasure when I let it paint a flower-and I think that I know why this is so' (Winifred Nicholson, 1969, quoted in Andrew Nicholson (ed.), Unknown Colour: Paintings, Letters, Writings, by Winifred Nicholson, Faber and Faber, London, 1987, as 'The Flower's Response').
Winifred Nicholson drew on the theme of flowers throughout her career, having become entranced by the subject in the early 1920s while living with her husband Ben Nicholson in Switzerland. Winifred particularly focused on the subject matter of flowers during her time spent at Villa Capricco in Lugano and in the rural countryside of Cumberland and Ragged Robin is a quintessential example of this type. These paintings mark a distinctive period in Winifred's career prior to her divorce and to her time spent in Paris, where the focus of her work becomes briefly more abstracted.
There is a landscape painted on the reverse of the present work.
We are grateful to Jovan Nicholson for his kind assistance with the cataloguing of the present work.