Erich Heckel

Woodcut printed in black, blue, ochre and green, the colours applied in the manner of a monotype, a strong impression, the colours fresh, 1919, the third (final) state after the correction of the blank spots on the forehead, a proof (aside from the published edition by J.B. Neumann, Berlin), signed and dated 19 in pencil (the '19' possibly retraced)

With margins, a tiny abrasion in the forehead, touched in with white at the lower border, the upper margin and occasionally at the edges, minor foxing, rubbing and slight discoloration in the margins, an unobstrusive hairline vertical pressure mark at lower left of image, laid down, framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Heckel's striking self-portrait is an icon of German Expressionist art and one of his most important prints. This poignant work represents the artist's personal turmoil and reflects a general depression in the aftermath of the First World War.