N08813

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Lot 62
  • 62

Asim Abu Shakra

Estimate
30,000 - 40,000 USD
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Description

  • Asim Abu Shakra
  • Cactus
  • oil on paper laid down on masonite
  • 43 1/4 by 28 3/4 in.
  • 110 by 73 cm.
  • Executed circa 1989.

Condition

This work is oil on paper laid down on Masonite. Overall in very good condition. There are artist's pinholes on all 4 corners. There is one 0.5 cm. tear from the center of the right edge. There are two dents and a very small tear to the right of the ladder, now stabilized due to the fact that the work is laid down on Masonite. The paper is slightly wavy in the bottom corners.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

While discussing this important theme from the artist's oeuvre, Tali Tamir notes: "The recurrent motif in Abu Shakra's paintings - the potted cactus - is repeatedly charged by his sense of not belonging, the perpetual feeling of foreigness in Tel Aviv, in an entirely Jewish society, the feeling that something is not in its natural setting. The cactus has been transplanted from the wild, tangled hedges that appeared in his early landscapes to a small flowerpot on a windowsill in Tel Aviv. The downsizing of the cactus hedge to a small decorative plant and the confinement of the earth surrounding its roots to the measured amount needed for a house plant convey not only a sense of foreignness and discomfort, but also a protest against the taming of nature, against a state of oppression and indignity." (Tali Tamir, "The Shadow of Foreignness: On the Paintings of Asim Abu-Shakra", Asim Abu Shakra, exhibition catalogue, Tel Aviv Museum of Art, 1994, p. 87).