- 287
Marc Chagall
Description
- Marc Chagall
- LE POISSON DANS LE CIEL
- signed Marc Chagall (towards lower centre)
- oil on canvas
- 22 by 33cm., 8 5/8 by 13in.
Provenance
Acquired from the above by the present owner in 1999
The authenticity of this work has been confirmed by the Comité Chagall.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Painted during Chagall's final period in the Côte d'Azur, Le Poisson dans le ciel captures Chagall's poetic dreamlike subconscious using the iconography of the sea. Just as Picasso and Matisse chose the south of France as the ideal Mediterranean landscape for its classicist appeal and distance from modernised city centres, Chagall too sought refuge in such a setting, one which spurred his prolific artistic production of the 1960s.
The seascape imagery is immediately present in the long thin fish stretching across the upper part of the composition. Creating a contrast to the nocturnal blue dominating the canvas, the silver-scaled fish hovers in mid-air above the deep ocean lit by the light of a crescent moon. A lonely fisherman rows his boat in the shadow of a radiant bouquet entirely unaware of the cockerel behind him. The circular motion of the composition creates a feeling of unrest as our eye follows the different elements in the work, involving the viewer in this structural and formal play. As a gesture towards the essence of being, Chagall's animal subjects are not allegorical figures, 'but are simply characters...the flying fish is simply a flying fish' (Chagall, connu et inconnu, (exhibition catalogue) Grand Palais, Paris, 2003, p. 222, translated from French). The rich juxtapostioning of the conscious and subconscious, the real and the unreal, combine to create an imagery that is at once intensely fresh but also poetically familiar.