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Jean-François de Troy
描述
- Jean-François de Troy
- Cupid and Psyche
- oil on original canvas
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
De Troy depicted the subject of Cupid and Psyche on several occasions. In 1735 he was commissioned by the duc de Lorraine to paint four large canvases (now lost) portraying the story of Psyche, and another canvas, Psyche Awakening Cupid, in oval format, was recorded in the salon of the Château de la Grange-du-Milieu.1 The lovers' story is recounted in Books 4-6 of the Golden Ass by Lucius Apuleius (2nd century A.D.) and was interpreted during the Renaissance as an allegory of the seach of the Soul (Psyche) for union with Desire (Eros). The present painting depicts the moment when Psyche, who has been visited by her lover Cupid after dark and is told that she is forbidden to see him, is overcome by her curiosity. Fearful that he is actually some terrifying creature, she holds an oil lamp above him as he sleeps and is relieved to see the beautiful young Cupid. A drop of hot oil from the lamp falls on him and he awakens and angrily leaves her. The ensuing story follows the many trials that Psyche must endure before she and Cupid are finally reunited.
We are grateful to Christophe Leribault who, based on firsthand inspection, has confirmed this painting to be a work by Jean-François de Troy.
1. See C. Leribault, Jean-Françcois de Troy, Paris 2002, pp. 345 and 420.