An Italian carved walnut armadio, Parma second half 17th century

of architectural form, with two panelled doors, flanked by two winged  terms, with frieze drawers below, with later handles

Sold Sotheby's, Florence, 15th May 1987, lot 477.

In overall very good conserved condition. There are minor restorations detailed below. The wardrobe had a very dark patina that unfortunately was probably removed during restoration. Restorations are visible on the cornice section inside the carcass, where a piece in firwood does not correspond with the rest of the wood used. Also the two paterae centring the doors are of a later date. The wardrobe appears to be original in all its parts except those mentioned above. There are some old marks and scratches entirely consisent with age and use and some evidence of old worm to this very decorative object.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Comparative Literature:
A. González-Palacios, Il  Mobile nei Secoli, Milan, 1969, vol.I, p. 63 n. 68.
Giuseppe Cirillo-Giovanni Godi, Il Mobile A Parma Fra Barocco e Romanticismo 1600-1860, Ermanno Albertelli, 1983, pp. 40, no. 66, for an armadio of similar inverted breakfront form with a scrolling foliate carved frieze, pilasters with capitals flanking two doors and drawers in the apron on boldly scrolled feet, so typical of Parma. Also see the same author, op. cit., p. 44, figs. 81 & 82,  for related armadio carved with terms on the front stiles. Also op. cit., see p.42, fig. 72, for an armadio with the same fleur de lys carved on the frieze as on the offered piece.