Richard Parker (active 1768-1774) English, late 18th century

Overall the condition of the plaster is good. There is dirt and wear to the surface including a few small chips, dents and scratches. There are a few slight stable cracks to the surface, including to the corners of the base. The rear top right corner of the base may have been reattached. There are a few small lacunae to the plaster, including to the back. There is some wear particularly to the end of the nose.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Parker specialised in 'plaster casts of elegant subjects' according to the heading of a 1774 invoice he sent to Josiah Wedgewood for casts of a Zingara, a Vestal and a Pug Dog (all untraced). The letter also mentions that his workshop was based 'opposite the new church in the Strand', which is confirmed by the inscription on the underside of this bust.

RELATED LITERATURE
I. Roscoe, A biographical dictionary of sculptors in Britain. 1660-1851, New Haven/ London, 2009, p. 950