Italian, Venice, late 16th/ early 17th century

bowl no. 1: with a partially legible paper label inscribed: EDOU;another with Cuivre doré a paper label inscribed: Venise debut XVII ;bowl no. 2: with an illegible paper label

Overall the condition of the bowls is good. There is considerable dirt to the surfaces, in particular to the interiors and to the feet. The feet and emblemata were cast separately from the bowls. In bowl no. 2 both the foot and emblamata are slightly loose. In both bowls, there is glue around the edges of the feet and at the emblemata frames; presumably to fix the fittings in place. There is wear to the metal surfaces including minor nicks and scratches and wear to the gilding. In bowl no 1, three old drill holes have been filled with a dark metal and three new holes drilled subsequently. There are three similar metal fillings under the foot of bowl no. 2, two of which have new holes.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Compare the ornament on a brass charger signed by Matino Rigina sold in these rooms on 8 July 1998, lot 274 and a salver sold at Christie's London on 24 April 1986, lot 32.