Albert-Ernest Carrier-Belleuse

Overall the condition of the terracotta group is good with some minor wear to the surface including some nicks and scratches. The cord around the top of the amphora has been replaced.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Auguste Rodin joined the workshop of Carrier-Belleuse in 1864. Although the Deux bacchantes et un hercule portent un vase is signed by Carrier-Belleuse, it is generally accepted that the figures were modelled by Rodin and based on the drawings of the master.  Rodin visited Italy in 1875 and the vase group exhibits the Michelangelesque modeling which so much influenced Rodin's work after this visit. This style is distinguished from the more formal modelling he did earlier in his career under the direction of Carrier-Belleuse, such as the Innocence Tormented by Love, a work on which it is known he collaborated.

RELATED LITERATURE
H. Janson, "Rodin and Carrier-Belleuse: the Vase of the Titans", The Art Bulletin, vol. L, 1968, pp. 278-80