French, 19th century

Overall the condition of the marble is good. There is dirt and wear to the surface including a few minor chips and scratches. There are a number of small naturally occurring inclusions. There is naturally occuring veining to the marble, in particular to the abdomen, legs, proper left heel and base. The condition of the base is good.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present marble appears to have been inspired by the Celestial Venus in the Uffizi Museum, Florence. The antique Venus raises her right hand to her coiffure whilst holding her falling drapery in her left. Here her pose is mirrored and the drapery is reduced to reveal more of the godess's slender form. The urn with its classicising motifs is another reference to antiquity. The treatment of the face and hair recalls French Rococco masters such as Joseph Marin and the sculptor also pays homage to the golden age of French art.