A FLAMBE-GLAZED MEIPING VASE QING DYNASTY, 18TH CENTURY

the curved sides with a rounded shoulder, surmounted by a short waisted neck with a slightly everted lip, the exterior covered with a rich glaze of streaked crushed-raspberry and lavender tones extending to the interior of the mouth, draining to greyish beige at the rim, all suffused with a matrix of crackles, the base left unglazed

Sotheby's Hong Kong, 29^th October 1991, lot 86.

Apart from some glaze flakes and surface scratches, the overall condition of the vase is quite good.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A closely related vase is illustrated in Selected Ceramics from the Collection of Mr & Mrs J.M. Hu, Shanghai, 1989, pl. 71; a slightly smaller example was sold in our London rooms, 6^th April 1976, lot 198; and a third vase was sold at Christie's New York, 16^th September 1999, lot 372. Compare also a flambé-glazed meiping of this form and size, but of a lighter purple hue and with a Qianlong reign mark and of the period, included in the exhibition Ethereal Elegance. Porcelain Vases of the Imperial Qing. The Huaihaitang Collection, Art Museum, The Chinese University of Hong Kong, Hong Kong, 2007, cat. no. 69.

Vessels covered in the striking flambé glaze reflect the Yongzheng and Qianlong emperor's fondness for Song dynasty 'Jun' wares. It was Yongzheng who first commissioned the development of new glazes in imitation of 'Jun' vessels and a total of nine different types of revival 'Jun' glazes were created, which can be found recorded in the 1732 edition of the Jiangxi tongzhi (General Description of the Jiangxi Province). For the list and description of the nine glazes see S.W. Bushell, Oriental Ceramic Art, London, 1981, pp 194-96. The flambé glaze was perfected under Qianlong's reign when a large number of wares covered in this highly attractive glaze were produced.