Lot 22
  • 22

A SUPERB LARGE FAMILLE-ROSE PRUNUS AND ROSE CHARGER MARK AND PERIOD OF YONGZHENG

Estimate
15,000,000 - 20,000,000 HKD
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Description

THIS IS A PREMIUM LOT. CLIENTS WHO WISH TO BID ON PREMIUM LOTS MAY BE REQUESTED BY SOTHEBY'S TO COMPLETE THE PRE-REGISTRATION APPLICATION FORM AND TO DELIVER TO SOTHEBY'S A DEPOSIT OF HK$1,000,000, OR SUCH OTHER HIGHER AMOUNT AS MAY BE DETERMINED BY SOTHEBY'S, AND ANY FINANCIAL REFERENCES, GUARANTEES AND/OR SUCH OTHER SECURITY AS SOTHEBY'S MAY REQUIRE IN ITS ABSOLUTE DISCRETION AS SECURITY FOR THEIR BID. THE BIDnow ONLINE BIDDING SERVICE IS NOT AVAILABLE FOR PREMIUM LOTS.



finely painted on the interior with two gnarled intertwining prunus branches reaching around the left side following the curve of the dish, the petals of the white flowers tinged with green and with yellow-tipped pink stamens and green sepals, a pink-blossomed branch growing to the side, the flowers with iron-red sepals, and a large iron-red and purple lingzhi sprig growing from the trunk of the larger tree, between bamboo, with finely shaded leaves in tones of green, and a blossoming rose, with delicately shaded pink blooms and buds, borne on slender stems with tiny thorns picked out in pink, two finely depicted bees hovering above, the plants growing up from the exterior with further prunus branches extending in opposite directions around the sides amidst sprays of leafy bamboo and flowering rose branches, the base inscribed with a six-character reign mark

Provenance

Christie's London, 5th April 1976, lot 97.
Su Lin An Collection.
Sotheby's Hong Kong, 31st October 1995, lot 329.

Exhibited

Evolution to Perfection.Chinese Ceramics from the Meiyintang Collection/Evolution vers la perfection. Céramiques de Chine de la Collection Meiyintang, Sporting d'Hiver, Monte Carlo, 1996, cat. no. 181 (illustrated).

Literature

Regina Krahl, Chinese Ceramics from the Meiyintang Collection, London, 1994-2010, vol. 4, no. 1754.

Condition

Apart from a minute filled-in 2 mm chip to the rim, the overall condition is very good. The enamelling is in excellent condition with almost no loss.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Several Yongzheng dishes of this large size are known with the same combination of plants, but each of them is unique in composition. The present dish is exceptional in depicting a pair of insects, and shows a more distinctly asymmetric layout than the others. Otherwise, this combination of plants is rare, as the rose is seldom depicted in bloom together with winter plants such as the prunus and bamboo, even though it is admired as a plant that flowers throughout the year. In this combination, it conveys the auspicious message of endurance and longevity.

Compare a dish with a similar design from the collection of Dr. John Eyre in G.C. Williamson, The Book of Famille Rose, London, 1927, pl. XXXV centre; one sold in these rooms, 14th November 1989, lot 324; and another with a similar design in mirror image, sold at Christie's London, 12th December 1977, lot 213. Similar large dishes are also known with a bright red camellia or peony replacing the rose; one such dish, also with a pair of insects, is in the Baur Collection, Geneva, illustrated in John Ayers, Chinese Ceramics in the Baur Collection, Geneva, 1999, vol. 2, pl. 221; others without insects are in the Sir Percival David Collection in the British Museum, London, illustrated in Michel Beurdeley and Guy Raindre, Qing Porcelain. Famille Verte, Famille Rose, London, 1987, pl. 130; in the Palace Museum, Beijing, published in Kangxi, Yongzheng, Qianlong. Qing Porcelain from the Palace Museum Collection, Hong Kong, 1989, p. 222, pl. 51; and one was sold in our New York rooms, 15th September 1999, lot 89.