- 749
Chao Chung-hsiang (Zhao Chunxiang)
Description
- Chao Chung-hsiang (Zhao Chunxiang)
- In Praise of Light
ink and acrylic on paper
executed in 1989.
Provenance
Literature
Absolute Artist: The Artistic World of Chao Chung-hsiung, Locus Publishing, Taipei, 1997, p. 167, illustrated in colour
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Chao Chung-Hsiang lived in New York in the 1980s. During this time, his works received recognition from both local and overseas museums and curators. In 1981, New York's Brooklyn Museum collected his works The Golden Light and Lotus and Bamboo in the Rain. He also held his solo exhibition in Taipei Fine Arts Museum in 1985. The 1980's was the period that Chao felt most confident and most comfortable in his artistic expression. In In Praise of Light, completed in 1989, the artist fully demonstrates his unstrained and mature artistic techniques. This work was published by Hong Kong' Alisan Fine Arts gallery as the catalogue cover entitled Chao Chung-hsiang in 1971 and represents a peak of his mature period. Its arrival on the market is a delight for collectors of Chao Chung-hsiang's work.
In this painting, Chao combines Chinese and Western art through the use of tradition ink and rice paper, his boldly innovative brushstrokes and acrylic colours that create a vivid composition. There are seven purple blue nestlings in the chilly bamboo forest expressing the lonely artist's longing for reunification with and the affections of his overseas family.
In the upper half of this painting, there is the sun symbolising brightness casting its soft light of future for the newborn birds. This work signifies the artist's blessing for life and his philosophical perspective for family and friendship.