Lot 654
  • 654

Richard Lin (Lin Shouyu)

Estimate
600,000 - 800,000 HKD
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Description

  • Richard Lin (Lin Shouyu)
  • Still Spring
  • oil and aluminium on canvas
Marlborough Gallery Label affixed to the reverse
Executed in 1974

Provenance

Marlborough Gallery, London
Private Asian Collection

Exhibited

Kaohsiung, Kaohsiung Museum of Fine Art ,One is Everything, Homage to the Master: 50 Years of Work by Richard Lin,  May-September, 2010

Literature

One is Everything, Homage to the Master: 50 Years of Work by Richard Lin, Kaohsiung, 2010, Kaohsiung Museum of Fine Art Publishing, p.195

Condition

Aside for some craquelure at the lower center part of the canvas, this work is in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The artist Richard Lin, who spent much of his life in the United Kingdom, pursued minimalism as a means of expression and his work represents the styles of Geometric or Cold Abstraction. In his famous White Series, Lin returns to his most basic artistic expression. When looking at these works, one might almost think it is a blank canvas, however, after examining it carefully, one can see through the pure white the artist's clever use of depth, light, contrasts and different transparencies within the colour white. In the centre of the canvas he often includes several long, thin lines of colour, breaking away from a pure and absolute world. In 1970, the artist MirĂ³ once visited Lin in his studio during a visit to the UK. Standing in front of Lin's White Series, MirĂ³ said:

"In the world of white, no one can exceed you."

Lin once said of his work that although he uses a Western medium, the meaning of his work is based on Chinese philosophy.  In his paintings he "completely removes any sense of the primitive, wild or literary, relying completely on visual sensation as a means to comprehend the spirit of Chinese culture". As Lin has said himself he "can paint endless words, but what I have said or written does not convey all I have on my mind ", thereby describing his most vivid and absolute aesthetic logic.