Alfred Boucher

Overall in good condition. Please note that the index finger of the proper right hand has been bent toward the right side, most probably from a fall. A scratch is now visible, showing the color of bronze throughout. As a result, there is also a visible crack to the wrist of the same arm. Sotheby's will absorb cost of repair on the successful bidder's behalf following the sale.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Boucher's Au But is one of his best-known models, and featured as the cover image of the 2000 exhibition at the Musée Paul Dubois – Alfred Boucher in Nogent-sur-Seine. It depicts three athletes in the last desperate moments of a race, each stretching a hand forward to touch the finishing line. Boucher exhibited the model for the first time at the Salon of 1886 and it proved an instant hit with critics and public alike. The sculpture was awarded a first class medal and the State purchased a life-size cast to be placed in the Jardin du Luxembourg. The impact of the sculpture is based on the powerful dynamism of the athletes and their precarious balance on the base, as the entire group seems to thrust forward. Boucher's friend, the explorer Gabriel Bonvalot posed for the artist as he modelled the three energetic figures.