- 7
Jean-François Millet
Estimate
50,000 - 70,000 USD
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Description
- Jean-François MIllet
- La Fileuse Auvergnate (Auvergne Goat Girl)
- signed with initals J. F. M. (lower right); stamped VENTE MILLET with two collectors' stamps on the reverse
- black chalk with stumping on blue-grey paper rubbed on the reverse for transfer
- 7 3/4 by 5 3/8 in.
- 19.7 by 18.7 cm
Provenance
The artist's studio; sale, Hôtel Drouot, Paris, May 10-11, 1875, lot 241 (bought by Tedesco) or possibly lot 254 (bought by Sano)
Baron Freiherr M. von Heyl zu Herrnsheim, Darmstadt
Heinrich Stinnes, Cologne
Sale: Galerie Wolfgang Ketterer, Munich, November 25-27, 1974, lot 1297, illustrated
Sale: Ader Picard Tajan, Hôtel Drouot, Paris, June 15, 1990, lot 3, illustrated
Sale: Christie's, New York, May 27, 1992, lot 176, illustrated
Acquired at the above sale by the present owner
Baron Freiherr M. von Heyl zu Herrnsheim, Darmstadt
Heinrich Stinnes, Cologne
Sale: Galerie Wolfgang Ketterer, Munich, November 25-27, 1974, lot 1297, illustrated
Sale: Ader Picard Tajan, Hôtel Drouot, Paris, June 15, 1990, lot 3, illustrated
Sale: Christie's, New York, May 27, 1992, lot 176, illustrated
Acquired at the above sale by the present owner
Literature
Harrison, Dessins de J. F. Millet reproduits en photographie inaltérable par Harrison, Paris, 1875, pl. 12
L. Souillé, Les Grand Peintres aux ventes publiques, vol. 2: Peintres, aquarelles, pastels, dessins de Jean-François Millet relevés dans les catalogues de ventes 1849 à 1900, Paris, 1900, p. 176
Etienne Moreau-Nélaton, Millet raconté par lui-même, Paris, 1921, p. 51 (a discussion of Millet's commission for the etching of the present work's composition)
Robert L. Herbet, Jean-François Millet, exh. cat., Paris, Grand Palais, 1975, discussed under no. 136
L. Souillé, Les Grand Peintres aux ventes publiques, vol. 2: Peintres, aquarelles, pastels, dessins de Jean-François Millet relevés dans les catalogues de ventes 1849 à 1900, Paris, 1900, p. 176
Etienne Moreau-Nélaton, Millet raconté par lui-même, Paris, 1921, p. 51 (a discussion of Millet's commission for the etching of the present work's composition)
Robert L. Herbet, Jean-François Millet, exh. cat., Paris, Grand Palais, 1975, discussed under no. 136
Condition
This work is clean and in excellent condition overall. It is hinged at the top using two pieces of archival tape. There are no tears or other apparent issues.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Millet first encountered the distinctively dressed goatherds of Auvergne during a visit to Vichy in 1866. With their conical straw hats, heavy shawls and tall distaffs tucked under their arms, the women seemed to him to have stepped from another age. La fileuse Auvergnate was drawn as preparation for a specially commissioned etching late in 1868 but Millet continued to use the drawing as a model for several pastels and paintings throughout the last decade of his career.