Jean-Léon Gérôme

Overall in good condition, with minor chips to onyx base, wear and rubbing to brown patina mostly to high relief of drapery.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Gérôme's Danseuse à la pomme was exhibited at the Salon of 1893. The dress was carved from green-tinted marble, the flesh from ivory and the jewelry applied in bronze decorated with pastes and semi-precious gems. The Salon model was also exhibited at the Cercle de l'Union Artistique and is now in a private collection, Geneva. In a letter written around 1890 Gérôme compared Danseuse à la pomme to his hoop dancer, held in the hand of his famous Tanagra: "I have also lately finished a little figure in marble, half life-size, of a dancing girl, it is like the one Tanagra holds in her hand only this is more seriously made, and the nude portions, as well as the draperies, have been studied with care."

It has been suggested that the Danseuse à la pomme was a response to criticism which asserted that Gérôme's sculpture lacked movement and expression. Gérôme is emphatically vindicated in the rising ripples of fabric as the girl lifts her drapery in the dance. Her twisting pose as she balances on one foot and turns to glance at the apple sets everything about her into movement, even the hanging jewels of her necklace which jostle at her breast.