Lot 101
  • 101

A pair of Italian blue lacquered and parcel-gilt armchairs, Venetian mid 18th century

Estimate
35,000 - 50,000 GBP
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Description

  • poplar/pine
each with a cartouche shaped padded drop-in back above downscrolled arms and serpentine drop-in padded seat on cabriole legs terminating in claw and ball feet, the frame carved with flowers, scrolls, leaves, stylised scallopshells and rocaille, now upholstered in light blue silk lampas

Condition

Beautifully carved and decorated and good size. Joints sound and sturdy. The backs, as is the norm with Italian seat furniture, are not painted apart from the legs. Some very minor wear to the painting and gilding, beautiful detail to the carving. A most attractive pair in very good conserved condition. There are some pencil marks on the rear seat-rail which can easily be removed. Measurements: 100cm. total height, approx; 42cm. floor to seat, 67cm. wide, 48cm. deep; 3ft.3¼in., 1ft.4½in., 2ft.2¼in., 1ft.6¾in.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Comparative Literature:
G. Morazzoni, Il Mobile Veneziano del '700, Gorlich, Milan, 1958, Tav. LVI b & c, for armchairs conceived in a similar vein with similar shaped backs and downscrolled arms and carving on the seat-rails, in the Museo Vetrario, Murano, and the other formerly in the Pietro Accorsi collection, Turin, respectively .