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AN INSIDE-PAINTED CRYSTAL SNUFF BOTTLE BY ZHOU LEYUAN
Description
- Crystal
Provenance
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Zhou Leyuan did not use a copybook, unlike Ye Zhongsan and Ma Shaoxuan, with the consequence that his compositions tended to be freer and livelier even when, as a commercial artist, he repeated the same subject matter. He used the same studio name, 'The Lotus-root Fragrance Studio' (Ouxiang zhai) throughout his career, except for a few months in the summer and autumn of 1891 when an alternative name appears, 'The Studio of Thirty-six Documents' (Sanshiliushu zhai). 'The Lotus-root Fragrance Studio' was located at Xuenwu Men in Xuannan, southwest Beijing, near the Ox Street district - the Muslim quarter of the Capital.
The inscriptions, including a poem by Li Bo, can be translated as:
'A breeze stirs up the fragrance of lotus flowers, fills the water pavilion with it.
Meeting King Wu on the Gusu Tower,
Xishi, so intoxicated, can only dance languidly but adorably,
[Who then has to] lounge in the white jade couch at the east window.
Made by Zhou Leyuan / Yuan [Seal]
An elegant antique that belongs to my dear brotherly friend Master Yagu'