Ger Lataster

Acquired by Willem Sandberg for the Peter Stuyvesant Collection in 1964

Amsterdam, Ministerie van Onderwijs, Kunsten en Wetenschappen, Hedendaagse Nederlandse Schilderkunst in Noorwegen, 1965, no. 53
Helsinki, Amos Andersons Konstmuseum Helsingfors, Modern Holländskt Maleri, 1965, no. 35, illustrated in colour
Paris, Musée du Louvre, Le Musée dans l'Usine, Collection Peter Stuyvesant, 1966
Quebec, Museum (& travelling), Art in the Factory / Le Musée dans l'Usine, 1968-1969
Sankt Gallen, Kunstmuseum (& travelling), Le Musée  dans l' Usine, 1970-1971
The Hague, Pulchri Studio, Peter Stuyvesant Collectie, 1972
Amsterdam, Bijenkorf, Kunst over de Drempel, 1985
Arsac en Médoc, Château d'Arsac (& travelling), Aventure dans l'Art, Collection Peter Stuyvesant, 1989
Zevenaar, Turmac, 30 jaar Peter Stuyvesant Collectie : Hommage à Spinoza, 1990
Amsterdam, Stedelijk Museum, Art Works: International Modern Art in the Industrial Working Environment, an Experiment over more than Thirty Years: Peter Stuyvesant Foundation, 1991-1992
Sevilla, World EXPO '92, Art in the Factory, 1992

Harry Abrams, Hans Jaffé, et al., Adventure in Art, An International Group of Art Collections in Industrial Environments, Milan & Amsterdam 1970, p. 123, illustrated in colour

Colours: The colours in the catalogue are fairly accurate although the overall tonality is richer in the original where the whites tend more to cream hues. Condition: This work is in good condition. Upon close inspection there are some minor cracks notable. One spot of paint loss of approximately 1,5cm located 61cm from the top edge and 64cm from the right edge. One instable crack of 3cm at the extreme left edge located 97cm from the lower edge. Wear along the extreme lower edge with minor spots of paint loss. No restoration is apparent when examined under ultraviolet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."