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Francis Newton Souza (1924 - 2002)
Description
- Francis Newton Souza
- St. Stephen, Homage to Stephen Spender
- Signed and dated 'Souza 68' upper left and inscribed 'ST STEPHEN/ 1968/ (Hommage to Stephen/ Spender)/ F.N. SOUZA/ 24x48' on reverse
- Oil on board
- 48 by 24 in. (121.9 by 61 cm.)
- 1968
Literature
Aziz Kurtha, Francis Newton Souza: Bridging Western and Indian Modern Art, Ahmedabad, 2006, p.81
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
In 1954, "... Souza sent an autobiographical essay about Goa, titled 'Nirvana of a Maggot' to Stephen Spender, the editor of the recently founded [magazine] Encounter. Spender accepted it, and the piece was published the following year. He visited Souza, bought a painting and introduced him to Peter Watson, who was then organizing an exhibition for the Institute of Contemporary Arts ... He selected three paintings that were exhibited alongside works by Francis Bacon, Graham Sutherland, Henry Moore Ivon Hutchins and others. All three were sold. During the exhibition, Souza met Victor Musgrave, who ... offered to hold a one-man exhibition for him in February 1955, which coincided with the publication of his essay in Encounter, and made Souza an overnight success." (Yashodhara Dalmia, The Making of Modern Indian Art: The Progressives, New Delhi, 2001, p.88)
Immortalizing Spender in the form of St. Stephen, Souza may be referring to Spender's metaphorical "martyrdom" after his resignation from Encounter in 1967, upon his discovering that the magazine was being covertly funded by the American CIA. Souza's figurative treatment of Spender in the current work utilizes the restricted, neutral palette which he revisits throughout his painting of the 1960s.