- 163
Robert Doisneau
Estimate
12,000 - 18,000 USD
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Description
- Robert Doisneau
- SELECTED IMAGES
- gelatin silver prints
a group of 10 photographs, each signed in ink in the margin, titled, dated, and initialed in ink on the reverse, 1945-57, printed later (10)
Condition
These prints are in generally excellent condition, except where noted. The corners of the prints are lightly bumped.
Un Regard Oblique, 1948 - In high raking light, a faint, soft crease is visible in the lower central portion of the image.
Les Animaux Supérieurs, 1954
Les Enfants de la Place Hebert, 1957
Picasso et Francoise Gilot, 1952 - In high raking light, 2 crescent-shaped handling creases are visible in the upper central and lower right portions of the image.
Le Fox-Terrier des Ponts de Arts, 1953 - In high raking light, a 2-inch soft linear crease is visible in the upper left quadrant.
Midi a la Fonderie Rudier, 1949 - There is a small, transparent, matte deposit of indeterminate nature in the lower print margin.
L'Enfer, 1952
Le Petit Balcon, 1953: In high raking light, a soft handling crease is visible near the lower left edge of the image.
La Concierge aux Lunettes, 1945 - Upon close examination, tiny deposits of original retouching are visible throughout the image. On the reverse of the print, Doisneau has written in ink 'tirage en Decembre 1983.'
Les Glaneurs de Charbon, 1945: There is a small soft handling crease along the lower edge of the image.
These images are reproduced in 'Three Seconds from Eternity,' pp. 46, 66, 69, 81, and 143; 'Doisneau Paris,' p. 189; and 'Retrospective,' pls. 6, 7, and 67.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The plates are as follows:
Un Regard Oblique, 1948
Les Animaux Supérieurs, 1954
Les Enfants de la Place Hebert, 1957
Picasso et Francoise Gilot, 1952
Le Fox-Terrier des Ponts de Arts, 1953
Midi a la Fonderie Rudier, 1949
L'Enfer, 1952
Le Petit Balcon, 1953
La Concierge aux Lunettes, 1945
Les Glaneurs de Charbon, 1945