Anonymous American Photographer

sixth-plate daguerreotype, in a half-case, 1850s

This crisp and clear portrait is in essentially excellent condition. When examined closely a faint ¾ -inch scratch can be seen to the right of the subject's face. A similar, but even less visible, scratch can be seen adjacent to the upper right edge of the image. There is tarnishing around the edges which does not intrude overmuch into the image.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Daguerreotypes of Asian subjects are rare, despite the large population of Asians in the American West in the mid-19th century.  Both the style of the image and the presentation practically assure American authorship of the daguerreotype.  It is possible that the subject was one of many Chinese workers who came to America in the 1850s.  The tumultuous political conditions in China, as well as a series of droughts and floods, forced many Chinese citizens to leave their country for California.  This immigration accelerated through the 1850s: in 1851 there were only approximately 4,000 Chinese nationals in California; by 1852 their population approached 25,000.  The Chinese found work on the construction of the nation's railroads.  Many also found their way to the California gold fields.