Lot 18
  • 18

Heinz Hajek-Halke (1898 - 1983)

Estimate
8,000 - 10,000 GBP
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Description

  • Heinz Hajek-Halke
  • Das Eva-Chanson, 1928-32
  • Photograph
Vintage silver print. On the reverse, with the photographer's 'H. Hajek-Halke Experimentelle Fotografie für Presse und Werbung Wasserburg-Bodensee' stamp and his copyright and archive 'HHH Inventar' stamps with the archive number in pencil, and the typewritten title ' "Das EVA-CHANSON" (Das Feigenblatt als Abendkleid)' on a paper strip fixed to the reverse.

Exhibited

Heinz Hajek-Halke: Form aus Licht und Schatten, Berlin, Kulturforum/ Museum für Fotografie der Staatlichen Museen zu Berlin, 2007 and Munich, Kunstfoyer Versicherungskammer Bayern, 2008.

Literature

Heinz Hajek-Halke. Artist, Anarchist, Göttingen, Steidl, 2006, ill. p. 27 (The Song of Eve).

Condition

In very good condition. With a horizontal crease of approx. 4cm in the upper left corner and one scratch of approx. 3cm towards the upper edge. The corners very slightly bumped. With some original retouching. On the reverse, with remnants of an earlier mounting at the upper edge.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The Song of Eve (Das Eva-Chanson) is arguably Hajek-Halkes most elegant and romantic image. It  reflects his sense of beauty perfectly and contains all elements of his stylistic expression of the 1930s; the image is the result of a montage of two superimposed negatives, one of a beautiful (naked) woman and one of an everyday object. Hajek-Halke experimented with this theme; one variant, for example, shows the woman's face without the fig leaf. The print offered here has some very delicate original retouching which accentuates the contour lines of the female body and of the leave's veins.