Follower of Guido Reni

The canvas has an old secure lining and stretcher. The paint surface is well preserved throughout with only a few very minor scattered spot retouchings. There is however a restored damage to the upper right background which is probably a vertical tear running from the upper margin to Charity's shoulder. There are a few further but much more minor restored damages to her sleeve.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A painting of the same subject and size was recorded in the collection of Cardinal Flavio Chigi in Rome, in an inventory drawn up on the 1st May 1692, no. 175. Another version by Reni was in the collection at Mere Hall, Knutsford, Cheshire, until sold Christie's, 23 May 1994, lot 219.