Giovanni Battista Salvi, called Sassoferrato

In the collection of the family of the present owner since the early 20th century.

The canvas has been relined and this process has flattened the paint surface which is under a thick yellowed varnish. The blue of the Virgin's robe appears oxidised. Small paint losses are present, as visible in the catalogue illustration, lower right, on the chin, above the eyes, below the neck and along the left edge. UV analysis is inconclusive due to the thick varnish but some retouchings are visible on the forehead and to the left of the forehead. Offered in a later carved and gilt wood frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

We are grateful to M. François Macé de Lepinay for endorsing the attribution to Sassoferrato on the basis of photographs. He reserves final judgement until the removal of the thick layer of old varnish now covering the paint surface.