- 96
Wagner, Richard.
Description
- Autograph letter signed ("RichardWagner"), to Professor Wigand, outlining his hopes for a constitutional revolution in Germany
- ink on paper
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
"...Das ist endlich der entscheidende Moment, ohne dessen Herbeiführung all unser Werk Flickwerk sein würde. Nun hängt es von dem Benehmen der Fürsten ab...beginnen sie feindselig, protestiren sie, so sind sie sammt u. sonders in Anklagezustand zu versetzen, u. die Anklage gegen sie ist auf völlig historischer Basis zu begründen..."
This is a good letter outlining Wagner's political views and his desire to see a unified German nation, in the wake of the 1848 Revolution in France and turmoil within Germany. Barricades were put up in Dresden and the king was presented with demands for constitutional reform. Wagner joined the revolutionaries, hoping that this would lead to the reform of a National Theatre. His letter was prompted by the convening of the National Assembly at Frankfurt on 18 May, and is addressed to the Saxon Delegate at the Assembly, Jacob Franz Wigand (1807-1885), who had earlier been dismissed from the University at Dresden for his radical political views. This letter is published in the Sämtliche Briefe, ii, no.256, after a press-cutting in the Wagner Archives and without reference to the original.