Lot 93
  • 93

Maya Gold

Estimate
10,000 - 15,000 USD
Log in to view results
bidding is closed

Description

  • Maya Gold
  • 11:22
  • signed Maya Gold and dated 2008 (on the reverse); signed Maya Gold, titled 11:22 and dated 2008 (on the stretcher)
  • oil on canvas
  • 58 1/4 by 68 7/8 in.
  • 148 by 175 cm.
  • Painted in 2007 - 2008.

Condition

Excellent condition. Warped stretcher. Canvas is slightly slack.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Maya Gold studied at the Bezalel Academy of Art and Design in Jerusalem and the Slade School of Fine Art in London. She was the recipient of the 2007, Young Israeli Art, Legacy Heritage Fund Prize. Gold presents her viewer with a unique perspective on her painted scenes. Surreal stories unfold from a birds-eye view.  Silent conversations take place on implausible expanses of brick sidewalk, or under aesthetic, but unlikely, groupings of matching umbrellas. Gold is strongly influenced by  photography, as noted in her hyper-detailed recreation of brick patterns to her soaring perspective and her description of a moment in time through light and shadow. Her titles often reflect this photographic ability to capture a specific time of day. But unlike photography, Gold's captured moments are not real, or even staged, rather more like unlikely painted illusions. Disembodied shadows often hover over the scene. Characters are caught in a void of unending space, determined only by the necessary edges of the canvas.