- 10
August Macke
Description
- August Macke
- SPIELENDE MÄDCHEN UNTER BÄUMEN(GIRLS PLAYING UNDER TREES)
- charcoal on paper
- 34.7 by 29.4cm.
- 13 5/8 by 11 1/2 in.
Provenance
Private Collection, Switzerland (acquired in 1933)
Gustaaf Ennik, Zurich (acquired from the above)
Acquired from the above by the family of the present owner in January 1995
Literature
Ursula Heiderich, August Macke, Zeichnungen, Werkverzeichnis, Stuttgart, 1993, no. 2431, illustrated p. 629
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Spielende Mädchen unter Bäumen belongs to a series of Macke's mature drawings, executed in 1914, shortly before his tragic early death in September that year. Macke's favourite theme that he explored during his final weeks was people walking on city streets or in parks. Unlike other Expressionists such as Kirchner, Macke's representations of the city have a softer tone. His depictions of figures in parks, zoos and waterside promenades evoke a world of modern paradise, in which people appear to be at ease with their environment. As Wieland Schmied commented: 'August Macke was much more of a wanderer than Ernst Ludwig Kirchner and he walked through the streets of the city as if it were another form of nature. At first the city was nothing more than a nature 'tamed'. He was especially interested in the vegetation, the parks, the zoo with its zebras, herons and parrots... August Macke always presents domesticated nature, the town is permeated by nature, reconciled with her, with an abundance of open spaces and bordered by parks' (W. Schmied, German Art in the 20th Century (exhibition catalogue), Royal Academy of Arts, London, 1985, p. 36).
Fig. 1, August Macke, Vier Mädchen, 1913, oil on canvas, Städtische Galerie, Düsseldorf