Lot 306
  • 306

Henry Moore

Estimate
100,000 - 150,000 USD
Log in to view results
bidding is closed

Description

  • Henry Moore
  • Reclining Figure
  • Inscribed Moore
  • Bronze
  • Length: 7 3/4 in.
  • 19.6 cm

Provenance

Charlotte Bergman, New York and Tel Aviv (acquired directly from the artist)
Acquired from the above circa 1960

Exhibited

New York, The Metropolitan Museum of Art, Henry Moore, 60 Years of His Art, 1983, no. LH, I, 251, illustrated in the catalogue

Literature

David Sylvester, ed., Henry Moore, Sculpture and Drawings, 1921-1948, vol. 1, London, 1957, no. 251, illustration of another cast p. 16
Alan Bowness et al, Henry Moore 1898-1986, Art Gallery of New South Wales (exhibition catalogue), 1992, no. 75, illustration of another cast p. 100

Condition

Very good condition. Rubbed in a few places underneath. Very slight possible small scratch (approx. 1 inch) on back of figure; one tiny blemish on bottom center right of figure and a few scattered pin-dot pits (all inherent to the bronze medium).
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"There are three fundamental poses of the human figure.  One standing, another is seated, and the third is lying down. But of the three poses, the reclining figure gives the most freedom, compositionally and spacially.  The seated figure has to have something to sit.  You can't free it from its pedestal.  A reclining figure can recline on any surface.  It is free and stable at the same time.  It fits in with my belief that sculpture should be permanent, should last for eternity" (quoted in Franco Russoli, Henry Moore Sculpture (exhibition catalogue), Barcelona, 1981, p. 86).