- 247
Édouard Vuillard
Estimate
60,000 - 80,000 GBP
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Description
- Edouard Vuillard
- MADAME HESSEL À SON CABINET DE TOILETTE
- stamped E Vuillard (lower left)
- pastel on board
- 66 by 64.1cm., 26 by 25 1/4 in.
Provenance
Estate of the artist
Galerie Louis Carré, Paris
O'Hana Gallery, London
Arthur Tooth & Sons, London
Captain Richard A. Peto, Isle of Wight
Sale: Christie's, London, 6th July 1971, lot 20
Spencer Samuels, New York
Sale: Christie's, London, 2nd December 1975, lot 178
Purchased at the above sale by the family of the present owner
Exhibited
London & travelling in the United Kingdom, The Arts Council of Great Britain, French Paintings. A Second Selection from Mr. Peto's Collection, 1951-52, no. 32
Plymouth, City Museum, French Impressionists and English Paintings and Sculpture from the Peto Collection, 1960, no. 90
London, Arthur Tooth & Sons, E. Vuillard 1868-1940, 1969, no. 26, illustrated in the catalogue (titled Femme à sa toilette)
Plymouth, City Museum, French Impressionists and English Paintings and Sculpture from the Peto Collection, 1960, no. 90
London, Arthur Tooth & Sons, E. Vuillard 1868-1940, 1969, no. 26, illustrated in the catalogue (titled Femme à sa toilette)
Literature
Antoine Salomon & Guy Cogeval, Vuillard, The Inexhaustible Glance, Critical Catalogue of Paintings and Pastels, Paris, 2003, vol. III, no. X-209, illustrated in colour p. 1274
Condition
Executed on dark toned wove paper laid down on card. There is a flattened crease running vertically down the centre of the work and a few further minor creases to the paper with associated loss to the medium. All creases have been flattened as the paper was laid down. There is a 6cm. repaired tear to the upper left edge and two further 3cm. minor repaired tears to the centre of the lower edge, two 2 cm. repaired tears to the upper right corner, one with associated retouching, and a minor 1.5 cm. tear towards the centre of the upper edge. All tears are to the paper layer only and are visible in the catalogue illustration. Apart from some minor nicks to the extreme lower left edge and a line of light rubbing to the medium along the lower edge, both probably due to previous mounting, this work is in good condition.
Colours: Overall fairly accurate, although the green is much more vibrant and richer in the original.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."