- 137
Oskar Kokoschka
Description
- Oskar Kokoschka
- STUDIEN NACH DEM AKT VON LILITH LANG (STUDIES FOR THE NUDE, LILITH LANG) - recto SITZENDER AKT (SEATED NUDE) - verso
- signed OK (lower right) - recto
pencil on paper - recto & verso
- 44.7 by 31.5cm., 17 5/8 by 12 3/8 in.
Provenance
Acquired from the above by the present owner in the late 1990s
Exhibited
Linz, Lentos Kunstmuseum, Oskar Kokoschka - Ein Vagabund in Linz, 2008, recto illustrated in colour in the catalogue
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Executed in 1907, Studien nach dem Akt von Lilith Lang is a brilliant testimony to Oskar Kokoschka's avant-garde Expressionist style. The work belongs to a series of nude and semi-nude studies of 1907-08 depicting Lilith Lang, the artist's young girlfriend. Working alongside Egon Schiele, he early on rejected the decorative aesthetic of fin de siècle Art Nouveau and Viennese Secessionism and began to develop his own highly individual style emerging as one of the most important Austrian Expressionist artists of the 20th century.
As evident in the present work, the model's lithe limbs excellently served the artist's highly expressive rendition of the nude. Alfred Weidinger remarks on the artist's development of style: 'Kokoschka's drawings of those years are increasingly angular in shape whereby anatomy becomes secondary to the expressive interpretation of form. Furthermore, the complex balance between positive lines and negative space effectively creates inner spatial effects resulting in an overall geometry of composition' (Träumender Knabe - Enfant terrible (exhibition catalogue), op. cit., p. 118; translated from German).
Verso:
093L1005_5MGDN_1