- 97
William Paterson Ewen 1925 - 2002
Estimate
7,000 - 9,000 CAD
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Description
- William Paterson Ewen
- Untitled
- oil on canvas
- 40.6 by 50.8 cm.
- 16 by 20 in.
Provenance
Private Collection, Quebec City
Literature
Matthew Teitelbaum, editor, Paterson Ewen, Toronto, 1996, p. 18
Condition
This work is in excellent condition. Under UV there is evidence of minor inpainting along the edges and in the purple in the lower left.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Although this fine work is not dated, it would have been painted well before the inventive works of the phenomena of the heavens, rain and clouds of the 1970's.
Earlier in his career, Ewen had painted landscapes and still lifes and by the end of 1954 created his first abstracts. He commented: "But I could never be an Automatiste or an abstract expressionist because it was not in my temperament to do anything quite that unstructured."