A RARE PINK-GROUND FAMILLE-ROSE SAUCER DISH SEAL MARK AND PERIOD OF QIANLONG

of shallow form supported on a low tapered foot to a wide everted rim decorated with florets and foliate scrolls, the interior enamelled with multi-coloured floral roundels, all reserved on a pink enamel ground densely painted with rose colour feather scrolls, the exterior similarly adorned with flowers and foliage on a blue sgraffiato ground, the base inscribed with a six-character iron-red reign mark on a turquoise ground

Apart from some light wear to the enamels in the center of the dish, wear to the gilding on the outside edge of the rim and around the top of the cavetto, the overall condition is very good.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present elaborately decorated dish is a showpiece for the wide range of colours used by the artist and also a fine example of the high level of enamelling technique achieved by the Qianlong period. This dish appears to be the only example of its kind, although the use of the floral roundel motif reserved on a colour-ground densely painted with feather scrolls, after the sgraffiato technique, can be found on a number of vessels illustrated in Stunning Decorative Porcelains from the Ch'ien-lung Reign, Taipei, 2009, such as the pair of square vases decorated with incised floral roundels on a puce-ground of feather scrolls, pl. 23, and a revolving gourd-form vase with the floral roundels on a yellow-ground of feather scrolls, pl. 76.

The motif of floral roundels, also known as 'flower brocade' was first introduced to the potters' repertoire during the Yongzheng period. It can be found on bowls, such as the one attributed to the Palace Workshop, with a Yongzheng reign mark and of the period, published in The Complete Collection of Treasures of the Palace Museum. Porcelains with Cloisonne Enamel Decorations and Famille Rose Decoration, Hong Kong, 1999, pl. 21; another bowl included in the Illustrated Catalogue of Ch'ing Dynasty Porcelain in the National Palace Museum, Tokyo, 1980, pl. 100; and a jar published in Kangxi. Yongzheng and Qianlong. Qing Porcelain from the Palace Museum Collection, Hong Kong, 1989, pl. 45.  

The detailed and complex sgraffiato technique, that involves the laborious needle-point etching of endless strolling fronds, used for the decoration of the exterior of this dish is a Qianlong period innovation. It was used for decorating special Imperial pieces, large vases as well as miniature vessels. For examples of sgraffiato-ground wares enamelled in different colour schemes, from the Qing Court collection and now in the National Palace Museum, Taipei, see Stunning Decorative Porcelains from the Ch'ien-lung Reign op.cit., including a pair of vases decorated with a flower scroll on a blue sgraffiato ground of feather scrolls, pl. 47; and another blue-ground vase, pl. 41.