A RARE DATED TIBETAN-STYLE GOLD 'MARRIAGE' EWER AND COVER GUANGXU MARK AND PERIOD, DATED 1888

the cylindrical body rising from a recessed base to a cusped crown and divided into two sections by a horizontal band cast with leafy floral strapwork, with similar bands at the base and rim, each section of the body incised with double xi characters ('happiness') and flanked by a long tailed phoenix and a five-clawed dragon amidst ruyi-head cloud scrolls, set one side with a curved upright spout rising from the open mouth of a dragon and to the other with a tall rectangular brass handle cast with a pair of confronted dragon heads, each pierced at the mouth and suspending a gold ring with two bells and a chain linking them, the handle with nine-character inscription Tong liang chong ershiyi liang liu qian ('brass handle weighting 21.6 ounces') the simple domed cover set with a ruyi boss and ring handle, the base with sixteen-character inscription Guangxu shisi nian, qi cheng jin chong yibai ershiwu liang jiu qian ('[Made in the] 14th year of the Guangxu reign, corresponding to 1888, of 70% pure gold weighting 125.9 ounces')

The overall condition is very good. The chain attaching the cover to the handle is missing. The ewer has an alloy metal liner on the interior.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Elaborately cast ritual vessels almost entirely made of gold convey opulence and luxury afforded by only the most powerful and wealthiest of people. The present ewer, fashioned from solid gold with the exception of the brass handle, is finely decorated with meticulously incised five-clawed dragons and ornate floral scrolls in low relief, and no other related example appears to have been published.

The use of precious materials combined with intricate decoration to transform what was originally a humble wooden ritual utensil into a splendid ceremonial vessel was first conceived by the Qianlong emperor as a deliberate expression of his devotion and political commitment to the patronage of Tibetan Buddhism. Duomuhu, or 'bucket for water' in Tibetan, were used in Tibet for storing butter and making the traditional buttered tea for Tibetan Buddhist ceremonies. When the emperor entertained Tibetan guests at formal occasions, the food was most likely in Manchu style with culturally sensitive tableware that included teapots for Manchu milk tea and pitchers in Tibetan style.

See a silver duomuhu of closely related form attributed to the Qianlong period, but with a plain body adorned with gilded floral-incised bands and brim, in the Tibet Museum, included in the exhibition Treasures from Snow Mountains. Gems of Tibetan Cultural Relics, Shanghai Museum, Shanghai, 2001, cat. no. 106, together with a gilded copper example of more squat form and openwork bands of decoration, cat. no. 105. For further earlier examples of duomuhu made in different mediums, see a Qianlong gold and cloisonné enamel ewer, with a reign mark and of the period, in the Palace Museum, Beijing, illustrated in The Complete Collection of Treasures of the Palace Museum. Metal-bodied Enamel Ware, Hong Kong, 2002, pl. 108; a gold, cloisonné and Beijing enamel example, also with Qianlong reign mark and of the period, included in the exhibition China. The Three Emperors, Royal Academy, London, 2006, cat. no. 54, sold in these rooms, 11^th April 2008, lot 2842, exhibited together with a faux-bois copy, cat. no. 55.