Lot 28
  • 28

Charles Henri Ford

Estimate
6,000 - 8,000 USD
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Description

  • Charles Henri Ford
  • Jayne Mansfield, Rrose Sélavy as Pope Joan, The Ace of Spades is Me and other poem posters [Six Works]
  • each signed, dated 1964 and 1965 respectively and numbered 1/1
  • offset lithographs

  • Each: 39 3/8 by 27 3/8 in.
  • 100 by 69.5 cm
  • Published by Vassily Papachrysanthou in Greece in 1964-65 in a small edition, these six prints were probably A.P.'s.

Provenance

Ruth Ford, New York (gift of the artist)

Condition

These works are in good condition overall. There is wear to the edges and corners as well as surface dirt. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Charles Henri Ford was an accomplished poet, graphic artist, filmmaker, photographer and publisher. He is generally credited as being America's first surrealist poet, publishing a pamphlet of sonnets in 1936 and editing View magazine in the 1940s. Charles Henri Ford's "Poem Posters" were exhibited at Cordier & Ekstrom Gallery, New York in 1965 and were the subject of a film of the same title, which received the Fourth International Avant-Garde Film Festival Award in Belgium in 1966. Ever keen to explore and accelerate the possibilities of new art forms, Charles is credited with introducing Andy Warhol to Jack Smith, underground film pioneer, and taking Warhol to buy his first movie camera.

Among the first examples to spark a fad for color posters, these works can be viewed in the context of other artists such as Jacques Villeglé and Mimmo Rotella. Future exhibitions of "Poem Posters" included Robert Samuel Gallery, New York in 1980;  October Gallery, New York in 1984; Ubu Gallery, New York in 1999 and Between Bridges Gallery, London in 2007. Recently, the Museum of Modern Art, New York acquired a set of 12 "Poster Poems".

"Ford's paste-up and collage poems from the late 1960s could be understood to be as much about the communication of information as about the information they communicate. These paste-up poems transport us as viewers/readers into the spreading power, the speed of turnover, the divine dissolution of the cut-up technique, demonstrating that significance and beauty can be excised from even the most workaday printed matters. "  (Maria Fusco, "Charles Henri Ford," Frieze Magazine, London, Issue 112, January-February 2008, n.p.)