Günther Uecker

Ganserhaus, Wasserburg am Inn (Hans Thurner)
Galerie Hans Strelow, Düsseldorf
Acquired directly from the above by the present owner in 1985

Wasserburg am Inn, Ganserhaus, Uecker, 1984
Düsseldorf, Galerie Hans Strelow, Uecker, 1985
Salzburg, Museum Carolino Augusteum, Bilder und Objekte aus der Sammlung Lenz Schönberg. Eine europäische Bewegung, 1985
Turin, Palazzo della Pomotrice delle Belle Arti, Rheingold: 40 Künstler aus Köln und Düsseldorf, 1985
Barcelona, Fundacío Caixa de Barcelona; Madrid, Fundacío Juan March, Zero, un Movimiento Europeo: Coleccíon Lenz Schönberg, 1988
Munich, Städtische Galerie im Lenbachhaus, ZERO. Vision und Bewegung. Werke aus der Sammlung Lenz Schönberg, 1988, p. 101, illustrated in colour
Innsbruck, Tiroler Landesmuseum Ferdinandeum, Sammlung Lenz Schönberg: "...die Kunst von innen bittend...", 1991, p. 85, illustrated in colour
Warsaw, Galeria Zachęta, Sammlung Lenz Schönberg. Aus der Stille der Zeit - über die Grenzen von Raum, 1992, p. 157, illustrated
Innsbruck, Kunstbrücke, Raiffeisen-Landesbank, ZERO. Die europäische Vision - 1958 bis heute. Sammlung Lenz Schönberg, 2003, p. 63, illustrated
Salzburg, Museum der Moderne Rupertinum, Vision einer Sammlung, 2004-05

Bożena Kowalska, 'Kolekcja Gerharda Lenza: Gerhard Lenz's Collection', in: Projekt: Sztuka wazualna i projektowanie visual art & design 195, June 1990, pp. 7-11, illustrated
'Zero: Die europäische Vision - 1958 bis heute; Sammlung Lenz Schönberg', in: Vernissage: Das Magazin für aktuelles Ausstellungsgeschehen 23, no. 223, April 2003, pp. 22-25, illustrated
'Zero: Die Europäische Vision - Sammlung Lenz Schönberg', in der RLB Kunstbrücke: Die Presse, supplement Schaufenster, 23 May 2003, p. 39, illustrated
'Spirit des Neubeginns', in: Econova: Wirtschaftsmagazin, May-June 2003, p. 88-89, illustrated
Anna and Gerhard Lenz with Ulrike Bleicker-Honisch, Epoche Zero. Sammlung Lenz Schönberg. Leben in Kunst, Vol. I, Ostfildern 2009, p. 339, no. UE-24, illustrated in colour

Colour: The colours in the catalogue illustration are accurate although the illustration fails to convey fully the sculptural quality of the work. Condition: This work is in very good condition. There is an area of loss to the wood towards the signature and several small losses to the wood in places throughout.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."