Neil Jenney

Charles and Doris Saatchi Collection, London
Larry Gagosian Gallery, New York
Private Collection, U.S.A.

Berkeley, University Art Museum; Houston, Contemporary Arts Museum; Washington D.C., Corcoran Gallery of Art; Amsterdam, Stedelijk Museum;  Humblebaek, Louisiana Museum; Kunsthalle Basel, Neil Jenney: Paintings and Sculpture 1967-1980, April 1981 - June 1982
Munich, Bayerische Staatsgemäldesammlungen, Staatsgalerie moderner Kunst, Sieben Amerikanische Künstler, 1991, no. 22, p. 62, illustrated in color

Mark Rosenthal, Neil Jenney: Paintings and Sculpture 1967-1980, Berkley, 1981, p. 40, illustrated in color
Prudence Carlson, et. al., Art of Our Time: The Saatchi Collection, Vol. 4, London, 1984, no. 28, illustrated in color
Tony Godfrey, The New Image: Painting in the 1980s, Oxford, 1986, no. 111, illustrated in color
Teel Sale and Claudia Betti, Drawing: A Contemporary Approach, Sixth Edition, Belmont, 2008, no. 3.22, p. 81, illustrated

This work is in very good condition overall. There is evidence of scattered liquid accretions as well as fine and stabile craquelure throughout the surface of the composition. Under ultraviolet light inspection, there is no evidence of restoration.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.