- 373
Damien Hirst
Estimate
300,000 - 400,000 USD
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Description
- Damien Hirst
- Beautiful Bleed Riding The Waves Painting
- household gloss on canvas
- Diameter: 84 in. 213.4 cm.
- Executed in 2005.
Provenance
White Cube, London
Acquired by the present owner from the above in 2006
Condition
This work appears in excellent condition overall. There are no apparent condition problems with this work. Under ultraviolet light inspection there is no evidence of restoration. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"I want to say something about Hirst's spin paintings: the abstract works made by placing the canvas on a spinning turntable then hurling paint over the surface, so the work is painted by centrifugal force. It was as if Hirst had taken all the slow, hard-won emotion that an artist like Howard Hodgkin worked so long to infuse into his canvases, and distilled it into one 20-second rush of ecstatic pleasure, the visual equivalent of a rush of cocaine." - Richard Dorment