William and Mary carved oak brackets late 17th century, attributed to the workshop of Samuel Watson

ten, each boldly carved with stylized acanthus scrolled sides and running leaf pattern border, losses (10)

Good condition. The bold carving is particularly attractive and well executed. There are many sections of the upper moulding which are detached but all are present. There are some losses to the carved acanthus leaves, with most brackets having significant chips in places. Further general wear, age cracks, stains and minor chips throughout.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

These brackets originally formed part of the decorative cornicing in the Mary Queen of Scots apartments. Each bracket, or modillion, would have alternated with a stylised flower head recalling the entablatures of antiquity (see the illustration opposite for similar still installed in the Great Chamber). 

Again there are a number of surviving bills for Modillions in the Watson's book, called Designs, Bills and Agreements (Devonshire Archive). For instatnce on 29 September 1701 when he invoiced the Duke for carving 14 modillions at 1s. 6d. each.