- 127
Ettore Colla
Estimate
25,000 - 30,000 EUR
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Description
- Ettore Colla
- Scultura con cerchio
ferro di recupero
- cm 89x29x15
- Eseguito nel 1968
Literature
G. de Marchis, S. Pinto, Colla, Roma 1972, n. 195 B, illustrato (misure errate)
Condition
This work appears to be in generally good overall condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
"Gli oggetti di Colla contengono un racconto ed una morale: sono favole di La Fontaine del nostro tempo, soltanto che le persone non sono allegorizzate in animali sapienti, ma nei frammenti di una grossa macchina rotta. Non si tratta di una facile 'poetica del rottame': l'attrazione che il rottame esercita sulla fantasia dell'artista dipende essenzialmente dal fatto che esso conserva, malgrado tutto, una forma." G.C. Argan, in Colla Scultore, Milano 1963