A Louis XVI style gilt and patinated bronze mounted amboyna and rosso Francia Isabelle marble top guéridon early to mid 20th century

See J.P. Samoyault, Meubles entrés sous le Premier Empire, Paris, 2004, p. 248, fig. 176. for a close illustration.

Overall very good condition; the marble top with minor surface scratches; some old glue residue to one caryatid figure; minor rippling to amboyna veneers, very minor chips and infilling to edges of veneers; tarnishing and rubbing to feet of gilt-bronze supports and with some light scratches overall.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The present table is based on a model of a circular table attributed to Adam Weisweiler and Thomire, which was delivered by Rocheaux to Fontainebleau Palace in 1810. A table of this form appears in the well known portrait titled Madame X by John Singer Sargent, now in the permanent collection of The Metropolitan Museum of Art, New York.  François Linke favored this model and copied it under index number 1390. See C. Payne, François Linke, 1855-1946 - The Belle Epoque of French Furniture, Woodbridge, 2003, p. 208, pl. 228.