Albert-Ernest Carrier-Belleuse

Overall the condition is good. There is some overall wear to the patina consistent with age, particularly to the drapery and to the skirt. There is a spot of greening to the drapery above the knees.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The resurgeance of interest in the Medieval period, which was prevalent in France in the last quarter of the 19th century can clearly be seen in Carrier-Belleuse's rendition of La Liseuse. The contemplative stance of the figure dressed as a medieval lady with short veil and pointed shoe has been rendered softer and more realistic by the skilful play of the drapery falling in soft pleats. The detailed foliate scrollwork borders of the gown, including the cuffs and interior of the collar as well as the hasp of the open book are typical of an attention to detail which owes much to Carrier-Belleuse's apprenticeship of three years as a goldsmith prior to his entry as a student in the École des Beaux-Arts with the aid of sponsorship from David D'Angers.