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A group of art and furniture reference books
Estimate
1,000 - 2,000 USD
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Description
including Master Craftsmen of Newport, The Pendleton Collection, American Furniture at Chipstone, and others. Approximately 100 volumes.
Condition
Book titles for this lot:
Colonial and Early American Lighting, Arthur H. Hayard; Antique Brass Candlesticks 1450-1750, John Robert Grove; Colonial Homes and Their Furnishings, Mary H. Northend; Early American Dress, Warick, Pitz and Wyckoff; Boston Furniture of the Eighteenth Century, Publications of the Colonial Society of Massachusetts; Catalogue of American English Furniture from Property of Mrs. L.H. Littlefield Sholem Asch; Catalogue of Early American Antiques from Collection of Mrs. Charles P. Soden; Catalogue of Fine 18th Century American Furniture; Catalogue of Americana from the Property of Channing Hare; Catalogue of Antique and Contemporary Furniture and Furnishings from the Estates of Harry A. Batten; Clocks and Watches of New Jersey, William E. Drost; The Dunlaps & Their Furniture, The Currier Gallery of Art; Selected titles, Architectural Treasures of Early America; Early American Rooms 1650-1858, Ed. Russell Hawes Kettel; English Looking Glasses, Geoffrey Wills; Old Houses on Nantucket, Kenneth Duprey; Colonial Houses, Philip B. Wallace; Our Governors' Mansions, Cathy Keating; Upholstery Conservation, Ed. Marc A. Williams; Antique Spanish Furniture, Rafael Domenech & Luis Perez Bueno; Art and Artists of the South, Bruce W. Chambers; The Furniture of Our Forefathers, Volumes I & II, Esther Singleton
The Arts and Crafts of Newport, R.I. 1640-1820, Ralph E. Carpenter, Jr.; The Hudson Fulton Celebration, Volumes I & II, the Metropolitan Museum of Art; Master Craftsmen of Newport, Michael Moses; Catalogue of Flayderman Collection; First Flowers of Our Wilderness, The Santa Barbara Museum of Art & The University of Arizona Museum of Art; Connecticut Cabinet Making, Bulkeley; Litchfield County Furniture, 1730-1850, Litchfield Historical Society (Two copies); George Dudley Seymour's Furniture Collection, Connecticut Historical Society (Two copies); A Supplement to George Dudley Seymour's Furniture Collection, Connecticut Historical Society; Barbours' Furniture Collection, Connecticut Historical Society (Two copies); The American Chair 1630-1890, Marion Day Iverson; American Furniture from the Collections of King Hooper, Inc., Hyman Kaufman and Herbert Lawton; Catalogue 3787 of the Collection of Israel Sack; Catalogue 3265 the American Heritage Society Auction of Americana; Catalogue of American Art from American Collections, the Metropolitan Museum of Art; Catalogue 2026 of Property of Reginald M. Lewis; The Gentle Art of Faking Furniture, Herbert Crescinsky; Duncan Phyfe & the English Regency, Nancy McClelland; American Interior Design, Rogers; Directory of the Historic Cabinet Woods, F. Lewis Hinckley; Country Furniture of Early America, Williams; A Supplement to John and Thomas Seymour, Cabinetmakers in Boston, 1794-1816, Vernon C. Stoneman; Pine Furniture of Early New England, Russell Hawes Kettel; The Architectural Heritage of Newport, Rhode Island, Downing and Scully Jr.; American Furniture, Beckerdite; Catalogue of Connecticut Furniture Seventeenth and Eighteenth Centuries; Cabinetmakers in Boston 1794-1816, John and Thomas Seymour; Catalogue of M. and M. Karolik Collection of Eighteenth Century American Arts, Edwin J. Hipkiss; Sales at King Hooper Mansion; The Looking Glass in America 1700-1825, Comstock; The Furniture of Historic Deerfield, Fales; Catalogue of the American Craftsman and the European Tradition, the Minneapolis Institute of Fine Arts; Girl Scouts Exhibition 1929; Catalogue of The Great River, Art and Society of the Connecticut Valley, 1635-1820; The Pendleton Collection, Luke Vincent Lockwood; Colonial Furniture of New England, Lyon; New England Furniture of the Colonial Ear, Jobe and Kaye; The Reifsnyder Collection, American Furniture; Sale 3106 Property of Mrs. Francis P. Garvan; The John Brown House, Rhode Island Historical Society; Accessions, Henry Francis Dupont Winterhur Museum; The Decorative Arts of New Hampshire: A Sesquicentennial Exhibition, The New Hampshire Historical Society; The Arts and Crafts in New York, 1726-1776; The Arts and Crafts in New York, 1777-1799; American Furniture, the Federal Period 1788-1825, Charles F. Montgomery; American Firearms Makers, Carey; Five Centuries of Gunsmiths, Swordsmiths and Armourers 1400-1900, Robert Edward Gardner; American Furniture at Chipstone, Rodriguez Roque; Wrought Iron in Architecture, Gerald K. Geerlings; Early Pennsylvania Hardware, Herbert Schiffer; American Furniture from the Kaufman Collection, National Gallery of Art; The Brass Book, Schiffe; Worldly Goods, Lindsey; English Furniture from Gothic to Sheraton, Cescinsky; Bayou Bend, Houston Museum of Fine Arts; The Mirror Book, Schiffer; British Pewter from the Charles V. Swain Collection; American Pewter from the Charles V. Swain Collection; If These Pots Could Talk, Ivor, Noel and Hume; American Art from American Collections, the Metropolitan Museum of Art; Candleholders in America, 1650-1900, Joseph T. Butler; The Collection of Mr. and Mrs. Eddy Nicholson; American Painted Furniture 1660-1880, Fales; Catalogue 3964 Louis Guerineau Myers Collection; Colonial Kitchens, Their Furnishings and Their Gardens, Phipps; Masterpieces of American Furniture, Margon; Early American Furniture, John T. Kirk; With Hammer in Hand, Hummel; Colonial Interiors, First Series, French Jr.; Colonial Interiors, Second Series, Sale; An Album of New Netherland; Lighting in America, Cooke; American Furniture in Pendleton House, Museum of Art Rhode Island School of Design; Catalogue 3878 Francis P. Garvan Collection
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.