- 173
Francesco Trevisani
Estimate
10,000 - 15,000 GBP
Log in to view results
bidding is closed
Description
- Francesco Trevisani
- Ecce Homo
- oil on canvas, oval
Condition
The original canvas is oval but it has been recently relined and attached to a rectangular stretcher.
The paint surface is a little flattened by the relining but otherwise clean and secure and under a glossy varnish.
Inspection under UV light reveals some old minor scattered retouchings in the background and some old strengthening to Christ's left hand as well as some more recent minor scattered retouching to Christ's body.
Offered in a carved gilt wood frame with shaped corners in fair condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
The attribution to Trevisani was first suggested by Eric Schleier, and has since kindly been confirmed by Karin Wolfe on the basis of photographs. The design relates to Trevisani's painting of this subject in the Schönborn collection, Schloss Weissenstein, Pommersfelden, which is generally dated to around 1708-10 (see F.R. DeFederico, Francesco Trevisani, Washington 1977, p. 50, no. 41, plate 33). Another version was sold New York, Christie's 22 May 1998, lot 70, where it was dated circa 1678.