Shyama Tara Gilt copper and turquoise Nepal, Khasa Malla or Tibet

In fair condition for the period. Wear to the gilding through handling over centuries. Damage to some turquoise insets. The lower rim of the base with denting to the front and side of the right corner. Both separately cast lotus stems now missing. Holes in the back of the pedestal for a now missing separately cast torana. The back of the base with red paint consistent with Khasa Malla sculptural traditions. Black and blue paint applied to the hair. Dents and wear and tear overall consistent with the age of the sculpture. The tone of the gilding considerably richer than in the catalogue illustration. Some scrolls remaining within the statue but consecration plate missing. No restoration.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Although the craftsmanship of the sculpture is Nepalese in origin, the style is not imediately recognisable as the work of the Kathmandu Valley itself. The tall stepped throne with engraved designs is not a common type for pure Newar sculpture. Furthermore the figure is not associated with the bronzes of Tibetan taste that were commissioned from Newar artists for sites such as Densatil. The sculpture may possibly be Khasa Mala, where certain classical Nepalese traditions are followed but with individual elements drawn from other sources. In common with many Khasa Malla gilt bronzes, the ungilded section at the back of the throne is painted red. For a full discussion of Khasa Malla sculpture see Ian Alsop, The Metal Sculpture of the Khasa Malla Kingdom, in Orientations, Hong Kong, June 1994