Lot 249
  • 249

Albert Marquet

Estimate
50,000 - 70,000 GBP
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Description

  • ALGER, VUE DE MUSTAPHA, PLUIE
  • signed Marquet (lower left)
  • oil on canvas
  • 50.5 by 61cm., 19 7/8 by 24in.

Provenance

Galerie E. Druet, Paris (acquired directly from the artist in November 1929)
Georges Renand, Paris (acquired from the above in November 1929)
Private Collection, France
Sale: Palais Galliera, Paris, 4th December 1970, lot 63
Private Collection, London (acquired by 1971)
Private Collection, USA
Private Collection, London (acquired by 1988)
Private Collection, Switzerland
Acquired from the above by the present owner

Exhibited

New York, Wildenstein Gallery, Albert Marquet. A Loan Exhibition for the Benefit of the Hospitality Committee of the United Nations, 1971, no. 57, illustrated in the catalogue (as dating from 1938)
London, Wildenstein Gallery, Albert Marquet, 1972, no. 38, illustrated in the catalogue
Buenos Aires, Wildenstein Gallery, Albert Marquet, 1972, no. 6, illustrated in the catalogue
Charleroi, Palais des Beaux-Arts, Retrospéctive Albert Marquet, 1981, no. 52
Paris, Galerie Artcurial, Albert Marquet, 1981
New York & London, Wildenstein Gallery, Marquet, 1985, illustrated in colour in the catalogue
Lausanne, Fondation de l'Hermitage, Albert Marquet 1875-1947, 1988, no. 65, illustrated in colour in the catalogue
Tokyo, Musée des Beaux-Arts d'Isetan; Nagoya, Musée de Matsuzakaya; Nara, Nara Sogo Museum of Art & Ibaraki, Musée d'Art Moderne, Exposition Albert Marquet, 1991-92, no. 47, illustrated in the catalogue  

Literature

Gazette de Lausanne, February, 1988, illustrated
Jean-Claude Martinet & Guy Wildenstein, Marquet. L'Afrique du Nord, Catalogue de l'oeuvre peint, paris, 2001, I-136, illustrated in colour p. 159

Condition

The canvas is not lined. There are thin specks of retouching throughout the lower right quadrant in the buildings and at intervals elsewhere to the lower left quadrant. There is a line of retouching running down the left edge, in the sky, and thin brushstrokes of retouching to the top right quadrant. All retouching is visible under UV light. Otherwise, this work is in fairly good condition. Colours: More subtle, less red and the sea is more turquoise in the original.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."