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A fine pair of George III mahogany needlework-upholstered library armchairs attributed to Paul Saunders circa 1760
Description
Provenance
Sir Martyn Beckett, Bt., M.C., sold Sotheby's London, 13 March, 1959, lot 147
Sold, Sotheby's, London, November 7, 1997, lot 42 (£73,000)
Literature
Sotheby's 215th Season, 1958-1959, p. 46 (One armchair from a set of four)
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
A further pair of armchairs from the same suite sold Sotheby's London, November 18, 2008, lot 348.
The legs on the present armchairs are of the same design as those on a set of side chairs, almost certainly supplied by Paul Saunders, circa 1757 for Holkham, Norfolk (see Anthony Coleridge, Chippendale Furniture, 1968, pl. 379). Another chair from the same Holkham suite is illustrated in John Cornforth, Holkham Hall, Norfolk-IV, Country Life, February 14, 1980, p. 431, fig. 14. A pair of armchairs, also of the same pattern, attributed to Paul Saunders sold Christie's London, Longleat House, 13 June 2002, lot 338. The design of the armchairs here and the comparable examples above relate to a `French' chair pattern published in the third edition of The Gentleman and Cabinet-Maker's Director, 1762 (pl. XIX). The basis for the attribution of the Longleat armchairs to Saunders besides the strikingly similarites with the Holkham furniture, illustrated Coleridge, op. cit., pl. 379, lies in evidence provided by payments to Paul Saunders, of £556 15s in November 1757 and £300 in November 1959, recorded in the 3rd Viscount Weymouth's bank account at Drummonds (See C. Cator, `Works of Art from Longleat', Christie's International Magazine, May/June 2002, pp. 69-78).
Paul Saunders formed a partnership with George Smith Bradshaw circa 1751 and remained together until 1758. Bradshaw continued running the business from premises in Greek Street, London having taken-on John Mayhew as his apprentice two years earlier while Saunders moved to Soho Square with William Ince as his partner.