A South Netherlandish limewood group of the Visitation, Antwerp, circle of Pieter Scheemaeckers the Elder and workshop Baroque, early 18th Century

finely carved in high relief, depicting Mary and Elizabeth inclined towards each other in intimate expression of mutual joy, on integrally carved naturalistic base

Related literature:
J. Leeuwenberg, Beeldhouwkunst in het Rijksmuseum, The Hague 1973, p. 259, cat. no. 347.

In overall good condition. Some minor dents, marks and scratches. Minor dryness cracks. Partly stained. Minor losses to the carvings and minor old restorations to the drapery. Both figures wanting their right hand. The revese and underside with drillhole for attachment.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The atelier of Pieter Scheemaeckers the Elder (1652-1714) belonged to the largest leading Antwerp workshops of his time, together with Artus II Quellin, Peter Verbrugghen and Willem Kerricx. They produced large-scale works, such as altars or sepulcral monuments, as well as smaller works in wood and stone, focussing on religious subjects and under the influence of contemporary Italian developments.